Showing posts with label Old 97s. Show all posts
Showing posts with label Old 97s. Show all posts

Thursday, August 12, 2010

Old 97s Announce New Album


Super exciting news today, as The Old 97s announce their new album, their eighth studio record, The Grand Theatre Vol. 1 - due October 12 on New West. We're just taking our first spin now... From the press release:
The band, who Rolling Stone says have “evolved...into master-class rock & roll songwriters,” recorded over two dozen brand new songs during studio sessions and will be releasing a second volume
in 2011.

The Grand Theatre Volume One was predominantly written during Rhett Miller’s 2009 solo tour abroad. The lyrics are filled with character studies while the sound – expertly rounded out by band members Murry Hammond, Ken Bethea and Philip Peeples – is Garage-Rock-meets-60s-British Invasion without abandoning the classic 97’s sound

Monday, May 4, 2009

No More Indie Rock.

Sometimes indie-rock gets a little much. Too much synth, too much reverb, too much everything. That's when you need those fall-back records; something that you can listen to that reminds you of nothing modern at all. These two country records have recently brought me through the times that I couldn't stand one more goddamn noise punk record. One album was made a long time ago, and the other was shockingly made this year. See the records after the jump.



Murry Hammond
I Don't Know Where I'm Going But I'm On My Way
Myspace

Murry Hammond has been the long running 2nd in command of the band Old 97s. He usually get's a few songs per record, and they're always quite enjoyable affairs. They aren't usually the best songs on the album, but they lighten the mood and are almost always well crafted songs. Even though we knew he had the chops, we didn't know Murry Hammond was capable of making I Don't Know Where I'm Going But I'm On My Way (Hummin'bird Records). This record is a haunted country classic. I sometimes don't even know what I'm listening to. It's like the spirit of some dead train conductor inhabited this record. Yeah - there are lots of songs about trains, and even some country yodeling - but that's what makes this album a timeless affair. It's solemn, dark and lonely - the way some of the best country music albums are. I can't say enough good things about this album. Just get it. The songwriting is great, and honestly, doesn't sound anything like any Murry Hammond song on any Old 97s album.

Hank Williams
Rare Demos: First to Last

We found this goddamn gem of a record at a used CD store. It's a collection of rare demos recorded by Hank Williams. Whereas most country music was always produced with the utmost care precision, what we have here is just Hank and the gee-tar. No bells, no whistles, no pedal steel, no back up singers. It's really incredible how strong the material is, and how well it holds up in demo form. I can listen to this stuff all day and night. The collection features a few well known tunes, but almost all are new to us at least. A must own for any Hank fan.

Tuesday, April 7, 2009

Rhett Goes Self Titled In June, Hear New Song Now

[stream]

I guess this must have slipped us by, but a few weeks ago Rhett Miller announced he'd be releasing his third solo album June 9th on Shout! Factory. Always breaking the news, we are. Anywho, this time Rhett's doing the eponymous thing, warts and all, and not sticking to his usual theme of sticking a "The" in his album titles (2002's The Instigator and 06's The Believer.) We found out via Rhett's Twitter last night that the album's presumable first single, "I Need To Know Where I Stand" was freshly posted on his Myspace, so we quickly checked it out and -- surprise! -- it sounds like everything else the man's ever done. Not that there's anything wrong with that. We're all huge fans of Rhett and the Old 97's, so it's no surprise the tune's been on repeat throughout the day. It's a breezy pop song with an infectious chorus, most closely resembling The Instigator and parts of the 97's Satellite Rides. The song's for stream above, and lots more information about the album can be found after the jump.  

Huge news! Rhett will be releasing a collection of new songs on June 9th, his fourth solo album and the first on Shout! Factory. The self-titled album will thrill fans with an up-close and personal journey through Rhett’s dark heart and complicated mind - all set to the kind of rollicking tunes for which he’s known. The album is the darkest of Rhett’s deep catalog of releases, and is a personal triumph both lyrically and sonically.

Rhett says:
My approach to songwriting has always been to take a heavy subject and put it to a bouncy tune. This record takes that trick to the next level. Don’t get me wrong, there are some rays of sunshine on the album, but there is a lot of deep night. The death of my grandmother, the suicide of my hero, David Foster Wallace. In my head, I was sort of in a dark place when I made this record. It’s still a fun record to listen to. It’s a fine line you gotta walk, right? 



Rhett penned all the songs on the record with the exception of “If It’s Not Love,” which was co-written with Matt Scannell. Rhett Miller was produced by Salim Nourallah, who also produced the latest critically acclaimed Old 97’s release, 2008’s Blame It On Gravity. The exciting new 12-song set also features multi-instrumentalist and producer, Jon Brion on guitar and bass, The Apples In Stereo’s John Dufilho on drums and Billy Harvey on guitar. While speaking to Billboard Magazine about the album, Rhett stated “Every musician I hired was a producer. All these people could have easily produced this record themselves.” While the album was initially planned as a stripped-down, acoustic record, with the help of his stellar backing band, it quickly turned into one of huge sonic scope.
 


Of the album’s most rocking track, Rhett says:
"Happy Birthday Don’t Die” came to me in a fevered rush the morning before I headed to Texas to make the record. The whole story was there in my head when I woke up. This weird sci-fi portrait of a little old lady buried in the catacombs of some colony planet celebrating her one-hundredth birthday by dying. Writing that song was like speaking in tongues, very strange. Not all the songs on the album are so far-flung, "Sometimes" came out of hearing my two-year-old daughter singing to herself in her crib one morning. I took her little tune and fleshed it out into first a chorus and then a whole song.

Elsewhere on the album, one finds the quirky details that are a hallmark of Rhett’s songwriting. The “comedy club” in “I Need To Know Where I Stand” sounds suspiciously similar to LA’s famed CafĂ© Largo where Rhett has played regularly over the years. In the same song, we find “the Hamlet of Wallkill,” a town in the Hudson Valley near where the song’s author resides. But it’s the simple statements of grand truths that set this album apart from Rhett’s earlier work. Take, for instance, the following line from “Like Love.” “We are all alone in this world/from cradle to grave/and maybe after that.” A bitter little sentiment, but dropped into the middle of a fun, foot-stomper of a song, it’s a testament to the years Rhett has spent honing his craft.

For those who don't know Rhett as well, while maintaining his career with the Old 97’s, Austin-born Rhett has also released three previous solo albums, Mythologies, recorded during his junior year in high school and produced by future Old 97’s co-founder, Murry Hammond, in 1989, 2002’s The Instigator, and The Believer in 2006. While based in Dallas, Rhett and Murry formed Old 97’s in 1993. With their effortless combination of rock, power-pop and country, the band quickly became one of the most acclaimed and beloved bands to spring from the 90s indie rock scene. They have released seven powerhouse studio albums to date.

Well-known as an explosive live act both solo and with the band, Rhett and the Old 97’s will be on tour throughout the summer and fall. Many of these shows will be billed as “An Evening With…,” and will feature an opening solo set by Rhett during which he will perform songs from the new album and favorites from his solo catalog.

Rhett Miller Track Listing:

1. Noboby Says I Love You Anymore

2. Like Love

3. Caroline

4. I Need to Know Where I Stand

5. Happy Birthday Don’t Die

6. Bonfire

7. Haphazardly 

8. If It’s Not Love

9. Another Girlfriend

10. Refusing Temptation

11. Lashes 

12. Sometimes

Upcoming Rhett Miller live performances - many more TBA:

March 24th - Solana Beach, CA Belly Up

March 26th - Los Angeles, CA Largo 

March 27th - Redondo Beach, CA Brixton South Bay 

March 28th - Santa Cruz, CA Crepe Place

March 29th - San Francisco, CA Yoshi’s

April 11th - Ithaca, NY Castaways

April 16th - New York, NY Le Poisson Rouge

May 1st - Red Bank, NJ Count Basie Theatre - Writers in the Raw w/ David Johansen of the New York Dolls, Alec Ounsworth of Clap Your Hands Say Yeah and others.

May 13th - Northampton, MA Iron Horse 

May 14th - Boston, MA The Paradise

Tuesday, May 27, 2008

Old 97s - Blame it on Gravity


Review by Mike Bailey

Old 97's front man Rhett Miller used to be the new kid; a decade later he's still strumming away, seemingly more comfortable with the idea that a commercial breakthrough might not be in the cards. Maybe his lyrics are too clever. Maybe his western shirts show a little too much heart on their sleeve. Whatever the reason, Miller and the band seem to have moved on, growing gracefully into their elder status.

The Old 97's previous record Drag It Up, sounded half-hearted and no one, including the band, seemed to know if they were still a group. Meanwhile, Miller had started and stalled a solo career releasing one very good record (2002's, The Instigator) and a sophomore slump (2006's, The Believer).

More after the jump...

Blame It On Gravity finds the inspiration that Drag It Up lacked. The album’s crisp production supplied by fellow Dallas, TX artist, Salim Nourallah (who's own music deserves investigation), boosts the music's self-confidence.

The opening track “The Fool,” comes rattling out of your headphones. Drums, bass and guitar knock around while Miller sings over the shuffling beat - "He came from Phoenix in a borrowed VW Bug/To be somebody, or just somebody who came from Phoenix in a borrowed VW Bug…” Quickly following is the guitar-driven "Dance With Me" and the near-perfect pop stylings of "No Baby I". These three tracks make for a remarkable start - their smart blend of pop and country-rock recall the 1997 release, Too Far To Care.

The remaining tracks are a solid mix of different tempos - Miller & Co. does well to leave us with two standout songs. "Color of A Lonely Heart is Blue," sung by guitarist Murry Hammond, is a striking ballad that may be the best contribution Hammond has ever made to an Old 97's record. The last track, "The One", is a humorous narrative where Miller and the guys decide to "Take the money and run" - it brings the album to a proper close and shows perspective on a career worthy of admiration. While they may not have a van full of cash, hopefully they are finding enough encouragement to make more records like this one.

Tuesday, May 13, 2008

Happy Old 97s Release Day

We haven't had one of these in awhile. Since 2004, to be exact. That year's release Drag it Up did little to quench the thirst we all have for this Texas band's blend of desert country rock and soaring pop hooks. So really, it's been since 2001's Satellite Rides since we have gotten a truly worthy Old 97s record. Widely hailed as a return to form and possibly one of the band's best yet, today's Blame it On Gravity (New West) is absolutely at the top of my Other Music shopping list.

Also on that list is the new Vetiver, Nick Cave's Murder Ballads, and possibly the Dosh record Wolves and Wishes. Until I get to digest Blame it on Gravity or post any tunes from the album, enjoy the video for the classic song "Over the Cliff" from Wreck Your Life. Yes, it's the album track overdubbed over live footage, but shit... who's got money for a real video?



AMAZON